Robert Frank’s classic book The Americans was a seminal piece of work in a variety of ways.
In this essay, George Cotkin explores how Frank’s photographic expression was fundamentally aligned with the literary vision of Beat writers (Kerouac, Ginsberg, Burroughs et al) and their “sustained critique of the barrenness of American culture,” overlapping with “a vision of renewal and rebirth”.
As part of his thesis, Cotkin suggests that Frank saw and portrayed Black Americans in the Fifties as living an embodied form of existential freedom that far surpassed the experience of the theoretically freer White American “walking dead”…
